Forbidden City Goes Digital: Beijing Hosts Unique Photography Event With Diplomats

Published on December 14, 2025

One of the Beijing Palace Museum’s events featuring diplomats, mobile photography enthusiasts, and experts in mobile photography, to be at the forefront of the cultural exchange, is the most recent example of the use of mobile technology to bridge culture. Mobile photography’s ability to preserve and share cultural legacies is what the many participants of the event, sponsored by Photoworld Magazine, Palace Museum, Beijing Service Bureau for Diplomatic Missions, and China Photo Service, were testifying to. The event served as the most international testimony to the use of images as instruments of communication. More than 50 diplomatic representatives, alongside famous photographers of China, several business people, and other distinguished guests, served the event’s purpose to testify to the use of mobile photography in international dialogue. Diplomats captured the image of the Forbidden City, which is a World Heritage Site. It is a representation of China’s culture and history.

Using Mobile Photography to Promote Exchange

The “Capture the Nearby Glory of the Forbidden City” program is part of a larger collection effort of foreign diplomats to promote integration of Chinese history with photography. This event was the centerpiece of the Diplomats’ Tour of the Forbidden City 2025 program, where diplomats were invited to one of China’s cultural relics to appreciate its history and artistry and take photographs to document the visit. More than 6000 photos were collected, representing over 30 countries with varying perspectives on one of China’s historical and cultural icons, the Forbidden City.

Wang Xudong, Palace Museum’s Director, was the first speaker and talked about the role of photography in the promotion of culture and cultural understanding. He pointed out that through the lens of a camera, people from anywhere in the world can engage with China’s history. The event drew speeches from Xu Yuchang, Secretary General of Xinhua News Agency, and Zhang Chi, Deputy Director of the Beijing Service Bureau for Diplomatic Missions, and focused on the opportunities to augment understanding and promote relationships of diplomacy through photography.

Diplomats’ Photography Awards: Celebrating Global Perspectives

At the event, the winners of the Diplomats’ Photography Awards were announced. First place went to Laura Olivo, Second Secretary of the Embassy of the Dominican Republic in China, who skillfully captured the beautiful architecture of the Forbidden City on her cell phone. During the ceremony, Olivo talked about the palace’s enormous beauty and how she used cell phone photography to hold onto memories that would have otherwise slipped away.

After the ceremony, the participants went to the Palace Museum to view the exhibits of the various photographs. These photos, together with the participants’ memories, provided new and different insights and cultural perspectives on the Forbidden City’s details and documentation. Combined with contributions from distinguished Chinese photographers, the diplomats’ works exemplify the use of cell phone photography to record and disseminate history.

Capturing the Forbidden City with Your Phone

Another special part of the event was the Image Art Sharing Session, where the speakers talked about the importance of mobile photography in documenting cultural sites in China. Shaobai Li, one of the most well-known mobile photographers, talked about the true and real moments in any place that get captured through mobile devices. Li also expressed how the mobile devices give an everyday point of view of the Forbidden City, and that makes it easy for people in any part of the world to connect with it.

Xing Guangli, Senior Reporter and Director of the Social News Interview Room of the Xinhua News Agency, narrated historical poetry about the Palace Museum and described how the place has changed. Another senior reporter, Jin Liangkuai, focused on the documents of the Forbidden City and its changes from an imperial palace to an accessible cultural building. She also captured the journey of the museum through documentary photography.

Vision for the Future: Technology and the Arts

While the symposium was going on, we released photographs taken by diplomats and their Chinese colleagues. These photographs were on display in the “Light & Ink · Forbidden City” exhibition. The participants exhibited photographs of the beautiful architectural formations of the palace and its cultural abstractions, such as the red walls, golden roofs, and classic courtyards. The exhibition demonstrated the importance of mobile phones in the sphere of cross-cultural communication as they allow the capture of beautiful images and priceless moments, as well as share them in the contemporary world.

The use of mobile imaging technology for cultural communication is unprecedented. It enables the instantaneous distribution of pictures that allow people to value different aspects of China’s culture and heritage. The participants appreciated how their mobile devices helped them document their travels and share them instantly with people in their social circles. This resulted in a heightened cross-cultural dialogue and increased appreciation of the culture.

Beijing’s Central Axis Through Mobile Photography

Another part of the event was the mobile photography exhibition at Beijing Fang, along the city’s central axis. Titled “Beijing Central Axis · Images of the Era,” the exhibition combined photographs of the Forbidden City and the central axis, showcasing the history of Beijing from the imperial period to the present. The exhibition testimony to the importance of mobile photography as a tool to capture the city’s history and document its modern transformation.

The exhibition was included in the Mobile Photography Initiative “Beijing Central Axis · Images of the Era,” which received more than 50,000 entries from all over the world. The exhibition, made in collaboration with the technological enterprise vivo, demonstrated the mobile imaging technology’s ability to drive cultural modernity and global engagement in the preservation of Beijing’s historical and cultural sites.

Conclusion: A New Era of Cultural Exchange Through Photography

Once the event was finished, the role of mobile photography and its ability to close the cultural gap and promote conversations across the world became evident. Capturing and sharing the beauty of the Forbidden City, diplomats and photographers, along with the participants, redefined the historical value of the site into a global representation. With this creative use of technology, China exemplifies new ways of preserving cultural heritage and communicating its value.

This event also promoted the use of mobile imaging to promote a more profound cultural understanding and collaboration across borders. With mobile photography as a means to document travels and experiences, more people will engage with China’s fascinating history and culture.